Celtic Bracelet Celtic bracelets and Celtic jewellery

7Nov/110

Celtic Jewellery For Men And Women

Celtic jewellery for men and women isn't just about accessories to tart up your outfits. Celtic jewellery is much more special than that whether you buy it for yourself or as a gift for your loved ones.

Celtic bracelets, pendants, rings and earrings are meaningful items of jewellery,  intricately made using the historical symbolism of the Celts. If you are looking for authentic jewellery I believe that Celtic jewellery stands out over and above such as native American or Hawaiian jewelry for attractiveness and symbolism.

You will find some fine examples of Celtic jewellery and information about Celtic jewellery and designs on this website, plus details of how you can make your own Celtic and other types of  jewellery and look after it. You will even find information about Celtic music and culture as you browse through the site.

31Oct/110

The Fascination of Celtic Jewellery

The fascinating symbolism and magical impression given by Celtic jewellery seems to continue today long after the Celtic culture has disappeared. Since the 6th Century BC the Celts covered most of Europe, a little of Turkey and all of Great Britain until the Romans expanded and took over. By the time of 500AD the Celtic culture had been pushed out to Ireland, the north and west of Great Britain, including Scotland and Wales and Brittany in France.

That’s the history lesson out of the way, but it does give you a sense of the age of the culture that produced these charming designs. The abstract and natural art of this remarkable culture was often filled with symbols that are passed down today in designs produced for jewellery. Some say that it has become more popular nowadays because of the story of the Lord of the Rings seen in theatre and film. Many of the cultures there borrowed from the Celtic. Others feel that many are simply drawn to the awe-inspiring patterns that symbolise so much of nature as if through some kind of ancient memory.

Of course to the Celts the patterns they wore meant something special, and powerfully so. Their jewellery was meant to protect the wearer of it, perhaps increase some part of their spirit in the process. Maybe this charm kept the designs in the mind’s eye of our present culture so that in some way or another we are all familiar with them, they stayed with us. You will see the designs used in Celtic jewellery in many places and once you begin to know them you realise how many times you see them.

There is the Celtic spiral, or the Spiral of Life, representing the cycle of life, from birth to death, the constancy of the cycle in eternity and immortality.

A form of the Celtic spiral called the Triskele, which is actually three spirals joined together, was used often by the Celts in another form. Instead of the spirals are depictions or images of three legs joined together. The flag of the Isle of Man, which was under the influence of the Celts for many centuries, has this image similar to the other side of Europe, the flag of Sicily.

You start with simple recognition of these designs and then find other versions of them. This is where the fascination with Celtic jewellery can begin, noticing more uses of the designs and symbols of the Celtic people. The more you look, the more you find and it can be an endlessly captivating pastime.

Celtic Jewellery is also a great gift idea for your friends and family. You are giving them attractive, fascinating designs that ar emeaningful.

Silver Pendant - Celtic - Comes with 16' silver link chain. Beautifully designed and hand polished to a very high jewellery standard, this Celtic Pendant makes a wonderful gift - comes in a velvet pouch - See options below to buy the matching earrings

Beautiful celtic pendant. Matching Earrings available or why not buy the set. Lovingly made to a high jewellery standard

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16Sep/110

Celtic Bracelets – Why They Are Great Gifts For Men And Women

There is a deep-rooted connection to nature in Celtic bracelets. The designs of the knots and weaves are literal translations from nature into the jewelry.  There also is quite a romantic association with Celtic bracelets and the designs used with many who wear them, feeling that there is an idealistic meaning in the specific piece they adorn themselves with. It is well known that the Celts were very passionate and idealistic people which are visually evident in the jewelry designs now used throughout the world.

There are so many reasons to buy Celtic bracelets, but the chief reason would have to be the symbolism that they hold. From the weaves, knots and crosses to the materials used, these symbols date back centuries and are strong signs of the Irish heritage they hold.

The materials that are commonly used in making Celtic bracelets are silver and leather. These alone match the earthy feel that accompanies the ancient Celtic symbol. As they are durable and will look good with just about any item of clothing, they are a good choice as an accessory.

12Sep/110

Celtic Cross Online: Traditional Celtic Cross jewelry handmade in Ireland

Celtic Cross Online: Traditional Celtic Cross jewelry handmade in Ireland

For more than four thousand years ago, Irish metal smiths have been creating Celtic jewelry in gold and silver and other precious metals. Decorative Celtic cross jewelry examples date from the Bronze Age, some four thousand years ago. Many of these jewelry pieces were functional in nature and formed decorative features to everyday items such as clothes brooches and fasteners, weapons and eating and cooking utensils. Celtic cross metalwork formed the basis of much of the artwork from this period. Prized by men and women alike, Celtic cross jewelry is a treasure among possessions because of its uniqueness in beauty and symbolism.

Silver and gold were used by Celtic craftsmen between 2000 BC to around 550 AD silver to make outstanding Celtic jewelry. Celtic symbols were inevitably the subject of the Celtic cross jewelry craft, and evident in the final products as evident in modern-day examples. Ornate, symbolic, and enchanting, Celtic cross jewelry was (and still is) highly coveted. In fact, Celtic jewelry such as rings, bracelets, pendants, and brooches were so sought after for their beauty and style that the trade of Celtic jewelry across the Mediterranean was quite successful.

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Celtic cross: When one thinks of Celtic jewelry, the Celtic crosses may come to mind first. The Celtic cross had its start in the British Isles, appearing primarily in Ireland. This Celtic symbol has long represented the bridge or passage between heaven and earth. The four arms may also be connotative of the four elements; fire, earth, air, water.

The ring in the center of the Celtic crossis a Celtic symbol of infinite love, specifically, the endlessness of God's love. The center ring may also represent a halo emanating from the Christ. Given the power represented in this Celtic symbol, it's easy to see why Celtic jewelry makers were so dedicated to the pristine perfection in crafting the Celtic cross. This symbol represents the very highest ideals and aspirations of the Celts, and this piece of Celtic jewelry is one of the most timeless.

The Claddagh: Another timeless piece of Celtic jewelry is the Claddagh ring. Claddagh (pronounced klada) is an ancient village just outside Galway City in Ireland. Although the Celtic Tiger has left its ugly mark on the village it still retains much of its original charm.

The Claddagh ring gets its origin from Richard Joyce. Captured and taken from his homeland, Joyce was held as a slave in the West Indies. Eventually, he was sold to a Moorish goldsmith, where Joyce learned the art of jewelry making. Joyce eventually gained his freedom, and upon doing so, returned to Ireland and settled in the fishing village of Claddagh. Here he continued his goldsmith practice by making Celtic jewelry. He produced the Claddagh ring to celebrate his return home and to have a symbol for his love of kin and country. As seen today, the Claddagh has become quite popular as a sign of betrothal as well as friendship and love.

Get the Celtic Cross Jewelry and Irish Jewelry from Celtic Cross Online
Article from articlesbase.com

More Celtic Pendants Articles

Celtic Irish Cross Pewter Pendant Necklace

Highly detailed. This piece is a brand new fine crafted pewter pendant necklace. It is made from the highest quality 100% pewter inside and out. Nickle-free. Comes ready to wear with a jewelry black rope necklace or you could put it on your favorite chain. Just amazing!

Price: £9.32

27Aug/110

The Early Histories of the Ancient Celts (Part 1)

The Early Histories of the Ancient Celts (Part 1)

Celtic describes a language group which over a period of time divided into two strains:

P-Celtic (Brythonic) spoken in Wales, Cornwall and Brittany.

Q-Celtic (Gaelic) spoken today in Ireland, Scotland and the Isle of Man.

The ancient Celts were communities of people sharing linguistic and cultural ties, who inhabited most of Northern Europe between 800 BC and 400 AD. The Iron Age Celtic communities spread from Ireland to the Eastern Europe at the peak of their expansion from 400 BC-300 BC.

Archeological map of distribution of the Celtic Hallstatt culture ca. 800 -400 BCE. The Hallstat culture 800 BC-250 BC named after a site at Hallstat in Austria, they ranged from the Paris Basin to the valley of Morava in Eastern Europe, and from the Alps to the North European plain. Early burials (800 BC- 600BC) show small cemeteries denoting small settlements, perhaps one family or a small group of related families. The graves show little wealth, a few graves with wagons and horse equipment, but most as warriors both male and female with their swords, a few personal ornaments and pots containing food.

Between 600 BC-450 BC aristocratic burials start to appear, associated with much larger residences with architecture inspired by the Greeks, and Mediterranean artefacts begin to appear in graves. The overall leader or chief being accompanied in a wooden chamber with the wagon and horse equipment, filled with imported items, bronze wine drinking vessels, silk, gold, amber, glass and coral. The individual 'vassal' chief with wagon filled with more locally made goods, and 'sub-chiefs' similar, but less elaborately furnished with totally locally produced items. This prestige system of burials was widespread from Burgundy to the settlements of the middle Rhine. This unstable system based solely of imports and exports, as its core, threw up warrior societies, whose wealth came from raiding the settled traders. Along with the growth in population among the tribes and political changes within the Mediterranean area, this caused collapse, and the Celtic migrations began around 400 BC.

The 'La Tene' culture, known for its elaborate artwork, coincided with the last 50 years of the Hallstat culture, and this culture was carried forward in migration. Warrior bands moved south and east towards the rich pickings of the peoples whom they had traded with. Rome was attacked in 369 BC and continued into Italy, Delphi being attacked in 279 BC, and eastward roving bands continued into Asia minor. Migrations due to population growth continued throughout the next few hundred years.

The migration attempt of the 'Helvetii' was halted during the eight year war with Caesar's Rome, as hundreds of thousands of Celts were killed, sold into slavery or maimed. After his victory Caesar went back to Rome; Gaul and Britain were left alone for 15 years. When the Roman emperors later began to set up an administration, most of southern and eastern Gaul was brought within the Roman empire fairly easily, as the Celts in this region had already established a sedimentary lifestyle, and a trade based economic system. The further borders of the Roman Empire remained in a state of flux for sometime, with the constant pressure from the so called 'Germanic' tribes pressing in from the east, which finally contributed to the collapse of the Roman Empire in the 5th century AD. The term 'Germanic' was termed by Caesar who called anybody north of the Rhine 'Germanic', and anybody south of the Rhine 'Celtic'. Archaeology makes it clear that while there were two different material cultures, with different house building and burial styles, they were much more intermixed than Caesar's simplistic geographical divisions would indicate.

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There were differences between the religious practices of European and the British Celtic peoples. The south of England which was settled by the Belgic peoples is more closely tied to the Continent, while northern England has more unique deities and practices. Ireland had even less contact with Europe and maintained its culture the longest. The Continental Celts had been influenced by the Mediterranean cultures, with their regular trading with the eastern Mediterranean from as early as 8th century BC, and regular river and inland trading between southern Britain and the Mediterranean since 6th century BC. Where as the trading links, with the other Celtic regions was occasional and maritime.

Recorded History.

According to Caesar there are no contemporary religious writings from the Celts themselves because, as the Celts had a religious prohibition against writing things down, although they eventually kept trade related records using Greek characters. We must rely on the writings of others. A number of classical writers mentioned the Celts. The very first use of the term 'Keltoi' is by the Greek Hecataeus of Miletus around 500 BC. Most of these Greek and Roman authors whose works have survived didn't have any first hand knowledge of the Celts. Most of the extant writing comes from the first two centuries of the common era, and rely on observations of the Stoic philosopher Posidonius, early 1st century BC, whose own writings have been lost. His information was based on first hand knowledge of Celtic society in Gaul. Scraps of his writings are contained in later writings, especially Athenaeus, Diodorus Siculus, mid 1st century BC and Strabo 40 BC-25 AD.

From Posidonius we learn that Celts subscribed to the Pythagorean idea of transmigration of the soul, which Caesar mentions as well though he couches it in terms of making the fighters unafraid of death. Julius Caesar had the opportunity to see Celts at first hand, both on the continent and in Britain, but his concerns were mainly military. His writings also served as propaganda to raise money for his campaign against them. He wasn't particularly interested in religion other to note the influence of the Druids on the nobility. Caesar describes the Druids, saying they 'officiate at the worship of the Gods, regulate public and private sacrifices, and give rulings on all religious questions. Large numbers of young men flock to them for instruction and they are held in great honour by the people. They act as judges in practically all disputes whether between tribes or between individuals.' He also noted that the Druids had the power to ban someone from the sacrifice, which meant both excommunication and shunning by the community. He mentions that there are many and diverse deities but does not name them except to use the name of whichever Roman deity possessed similar attributes.

It is to Pliny the Elder, 1st century AD, that we owe our image of the Druids cutting mistletoe with a golden sickle. It was an afterthought on the mistletoe entry in his book on trees. The word he used was 'sacerdos' not Druid, and it was probably the Vates who would perform such a ritual. We get this division of the Celtic 'priesthood' from Strabo's 'Geographica' written at the end of the 1st century BC, which states 'Among all the Gallic peoples, generally speaking, there are three sets of men and women who are held in exceptional honour: the Bards, the Vates, and the Druids. The Bards are singers and poets; the Vates, diviners and natural philosophers; while the Druids, in addition to natural philosophy, study also moral philosophy.'

Additionally, Irish vernacular evidence does tend to support this three part division.

Classical sources tended to sensationalise Celtic religion. They were, after all writing about foreigners who were considered barbarians. Like today it's the unconventional and 'uncivilised' information that received the most attention, there was little accurate information about the Celtic Deities, as the authors tended to use their own Gods, already understood by the populous, who they thought nearest to worship of the Celtic Gods. Again like today they were the sensationalist's like Lucan 1st century AD, who reported that the three major Gods of the Gauls demanded human sacrifice, Taranis (burning),Teutates (drowning), and Esus (hanging and wounding). The Romans had banned human sacrifice only a generation or two earlier and this was reported, so the Romans could be seen to be superior beings, early propaganda.

The classical writers of the day also describe the Celt's appearance, Diodorus tells of the men of the Gauls being tall and fair with loud voices and piercing eyes, and the women being nearly as big and strong and as fierce as their menfolk. Tacitus decribed the Caledonii of Scotland as having reddish hair and large loose limbs, the Silurians of Wales described as swarthy, with dark curly hair. Dio Cassius as large and frightening, with bright red hair, Strabo records that both sexes liked to wear lots of jewellery, this is confirmed by archaeological findings, showing heavy torcs, brooches, rings, necklets and bracelets.

An idealised picture of the classical Celt is best described by Virgil in the following quote, 'Golden is their hair, and golden is their garb. They are resplendent in their striped cloaks, and their milk-white necks are circled in gold.'

Inscriptions on alters and votive objects provide almost 400 names of Celtic deities, unfortunately many of the names just appear the once, and have no evidence about the deity, others had descriptive epithets added to their names, others are paired to Roman deities, allows us to guess more accurately about their Celtic counterparts. Some classical Roman deities receive Celtic epithets, and classical Gods often received Celtic consorts.

The Celts